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Contingent Structures: Recent Ceramics by Brandon Reese

Oklahoma-based artist Brandon Reese will exhibit a selection of new ceramic sculptures that well illustrate the artist’s decade-long exploration of monumental, open-worked forms. His ceramics refer to human-made, archetypal constructions: towers, shelters, and circular enclosures, among them. Reese works mostly with salt-fired stoneware, minimally colored. His practice embraces a hybrid aesthetic that makes clear connections ...

Artist-led Gallery Talk with Brandon Reese

Contingent Structures: Recent Ceramics by Brandon Reese until May 27, 2018 Artist-led gallery talk on Thursday, April 5, at 6 p.m. Free and open to the public. Contingent Structures: Recent Ceramics by Brandon Reese until May 27, 2018 Artist-led gallery talk on Thursday, April 5, at 6 p.m. Free and open to the public.

2018 Annual Student Exhibition

The annual student exhibition, a State Fair Community College tradition dating back to the late 1960s, is open to all students currently taking studio art classes at the college. Interested student-artists collaborate with art department faculty to select work that best represents them. Each year, some 50 students exhibit close to 100 artworks in a ...

Sedalia Visual Art Association Members’ Exhibition: Shadows

Members of the Sedalia Visual Arts Association will present “Shadows,” an artwork exhibit, from May 26 to Aug. 19 in the Daum Museum of Contemporary Art’s Goddard Gallery at State Fair Community College on the Sedalia campus. Museum hours are 11 a.m. to 5 p.m. Tuesday through Friday and 1-5 p.m. Saturday and Sunday. Admission ...

Summertime Blues: Selections from the Collection

Blue . . . the color of harmony, spirituality, infinity, and sadness. Artists have used blue since the time of the Egyptians, when it was derived from minerals at great expense and difficulty. It is the favorite color of the half the people questioned in an international survey. In this permanent collection review, the color ...

Matt Rahner: Fair Pictures

As artist-in-residence at the 2017 Missouri State Fair, photographer Matt Rahner turned his lens not on the prize-winning livestock, baked good, or homegrown produce, but on a bumper-crop of fair attendees. Rahner states, “I am constantly seeking out found situations that possess an inherent psychological complexity.” Here he has compiled a series of candid portraits ...

The LA Look: Selections from the Collection

By the mid-1960s, Los Angeles had become the locus of a loosely structured art movement, referred to variously as Light and Space, Finish Fetish, or California minimalism. This art form was concerned primarily with how geometric shapes and the use of light could affect the environment and perception of the viewer. The artists employed space-age ...

Gisela Colon: Pods

Los Angeles-based artist Gisela Colon is well regarded for her meticulously fabricated, glowingly iridescent wall sculptures, referred to as “pods.” These are large-scale, three-dimensional, non-representational objects, asymmetrical and biomorphic in shape, with perfectly smooth surfaces. The sculptures are made from blow-molded acrylic plastic, laminated and layered with iridescent and fluorescent pigments. They provide a perceptual ...

Gisela Colon: Exhibiting Artist’s Lecture

Join us for Gisela Colon's artist lecture on Thursday, October 25, at 6 p.m., in the Stauffacher Theatre. Free and open to the public. Los Angeles-based artist Gisela Colon is well regarded for her meticulously fabricated, glowingly iridescent wall sculptures, referred to as “pods.” These are large-scale, three-dimensional, non-representational objects, asymmetrical and biomorphic in shape, ...

Membership in the Daum Museum of Contemporary Art provides unique opportunities and sustains a lasting artistic legacy for future generations. Members receive exclusive invitations to exhibition previews and social events with featured artists to learn firsthand about their art and discuss art-making processes. Special discounts on museum publications and participation fees are also a benefit for members.



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Carol Fleming, United Forest, 2001